Archive for January, 2010

Ray’s Chart Awards

Monday, January 25th, 2010

I think it’s pretty self-explanatory… so without much ado here are the nominations (sorted alphabetically).

Single of the year

Love Etc. – Pet Shop Boys
Method of Modern Love – Saint Etienne
One More Chance – Bloc Party
The girl and the robot – Royksopp feat. Robyn
This Momentary – Delphic

Video of the year

Bad Romance – Lady Gaga
Heaven Can Wait – Charlotte Gainsbourg/Beck
Love Etc. – Pet Shop Boys
Make Me – Janet Jackson
This Momentary – Delphic

Album of the year

Foxbase Beta – Saint Etienne
IRM – Charlotte Gainsbourg
It’s Not Me, It’s You – Lily Allen
Joe Sent Me – Vanessa Daou
Yes – Pet Shop Boys

Best male

Adam Lambert
Calvin Harris
Kid Cudi
Pitbull
Robbie Williams

Best female

Britney Spears
Charlotte Gainsbourg
Janet Jackson
Lily Allen
Little Boots

Best band

Delphic
La Roux
Pet Shop Boys
Royksopp
Saint Etienne

Newcomer of the year

Buraka Som Sistema
Delphic
Hurts
Kid Cudi
La Roux

Cover design of the year

Enya, “The Very Best Of”
La Roux, “La Roux”
Kraftwerk, “The Catalogue”
Massive Attack, “Splitting The Atom”
Pet Shop Boys, “Yes”

Title of the year

“Every Goliath Has Its David”
“I’m Throwing My Arms Around Paris”
“In It For The Kill”
“Rhubarb & Custard”
“This Momentary”

Disappointment of the year

Depeche Mode
Little Boots
Mariah Carey
Morrissey
Sharleen Spiteri

Winners shall be revealed at the end of the week. You can leave comments but they shall not be taken under account when choosing winners unless bribes are involved ;)

Ray’s Chart | Issue 857 | 2010-01-24

Monday, January 25th, 2010
 1   1   3  WONDERFUL LIFE
            Hurts
 2   3   3  CRUEL INTENTIONS
            Simian Mobile Disco feat. Beth Ditto
 3   7   2  ROCKET
            Goldfrapp
 4  10   3  THIS MUST BE IT
            Royksopp feat. Anneli Drecker



 5   !   1  SPACE SHOT
            Ash
 6   2   6  ALL OVER THE WORLD (REMIX)
            Pet Shop Boys
 7   5   7  FOR YOUR ENTERTAINMENT
            Adam Lambert
 8   9  13  HEAVEN CAN WAIT
            Charlotte Gainsbourg feat. Beck
 9   !   1  CAN'T FIGHT THIS FEELING
            Junior Caldera feat. Sophie Ellis-Bextor
10   8   3  DOUBT
            Delphic
 (more...)

How people found me this week…

Sunday, January 24th, 2010

…or referral fun time y’all!

MONDAY
locker room sweat smell vid gay
Um, really? Not this kind of blog. You should be ashamed of yourself.

TUESDAY
how to become a totally different person
This is a very good question. I can quote George Michael in reply — “I changed my name/to get rid of the things that I want from you/it’s strange/but a name is a name, and truth is the truth”.

WEDNESDAY
teenager with baggy pants
Oh! Yes! That’s how most people describe me. “Ray, you know — that teenager with baggy pants”. Totally me.

THURSDAY
kissmysmellyfeet.com
I swear it is not a website I visit. Often. Erm. *erases history* You have no proof whatsoever!!!

FRIDAY
i am skinny but feel guilty when i eat
I only have that when I eat pizza. I managed to solve that problem by not eating pizza. I am not joking.

SATURDAY
fat kid eating pancakes
I swear I am not a fat kid eating pizza. Pancakes! I meant pancakes dammit!!! *nervously adjusts baggy pants*

SUNDAY
eating pancakes
For Morrissey’s sake. *throws a hissy fit, then goes to make some pancakes*

Good night y’all…

About ? the update

Sunday, January 24th, 2010

It has come to my attention (i.e. I clicked it out of sheer boredom) that I haven’t updated my About page since the blog started. Erm. *slightly ashamed look* Well there it is now. Enjoy!

Massive Attack: Heligoland (4/5)

Friday, January 22nd, 2010

Being a Massive Attack fan is an incredibly stressful and frustrating experience. When The 100th Window, their previous studio album was released in 2003, we were promised a disc of outtakes a few months later, a DVD with videos for every song and four singles. We got two singles, disc with outtakes was bundled with Collected in 2006 and the DVD, oh well.

They took their time with their fifth album, releasing a soundtrack to Danny The Dog in 2004 (quite good), Collected (random ‘hits’ collection with two amazing new songs…) in 2006 and continuing assuring us that the new album was ‘almost ready’. Tracks were apparently recorded with Mos Def, Leslie Feist, Dot Allison, Mike Patton, Jhelisa Anderson, Elizabeth Fraser, Beth Orton and Terry Callier. It was at some time rumoured that it would be a double album with CD1 by Del Naja and CD2 by Marshall. They played eight new songs during their 2007 tour. Some of them sounded great. One of them is on the actual album and is its highlight.

The EP “Splitting The Atom” which preceded the album was a bit… concerning. The video that came with it was at best eyebrow-raising — unusually for a band that always put extreme amounts of care into their visuals. The song was a bit of a departure but not exactly superbly exciting. I waited some more and now I can tell whether Heligoland was worth the wait.

It wasn’t. But then, nothing would be after seven years. And those were not seven years of hiatus, those seven years contained tours, endless recording sessions, re-recordings and so on. “Live With Me” released to promote Collected was so amazingly awesome it made me expect a masterpiece. Heligoland is not a masterpiece. But it is a solid, good album which is much more immediate than the paranoia of The 100th Window and contains more variety than I expected or even dared to hope for.

“Pray for Rain”, sung by Tunde Abepimpe, is bloody intense with its “their eyes change as they learn to see through flames/and their necks crane as they turn to pray for rain”. That intensity doesn’t really lighten up much; even the “playful” “Girl I Love You” (the song that used to be “16 Seeter” which I found a much more MA title) is dark and gloomy. “Psyche” sung by the divine Martina Topley-Bird sounds like Six Organs Of Admittance covering Philip Glass (with Martina on vocals). There is a lot to love here — “Paradise Circus” which is probably best described as post-reggae, is what I was hoping Portishead’s Three to be. “Babel” and “Atlas Air” are actual uptempo tracks! By Massive Attack!

The album is a grower — it requires two or three plays before you start distinguishing between songs — but then it DOES grow on you alright. All the drums sound live, which can be a good or bad thing depending on how you look at it. There doesn’t seem to be that much synthesized stuff, which, again, can be good or bad. But generally I would say that Heligoland is an evolution rather than revolution, and it is promising evolution; if only we could hope for a follow-up in 2011, it would be a sign of amazing things to come. But I don’t even believe the promised EP of songs they did on tour will ever materialise; it’s easier not to believe them and then be positively surprised when they actually DO release something.

There is only one bum note on the album and that is “Saturday Come Slow” which mercifully is also very short. Damon Albarn used to be one of my favourite people in rock/pop music, but here his voice sounds irritating and brings the album dangerously close to the territory occupied by Radiohead, i.e. whining with post-rock background music. Those are three minutes you can skip, but they do bring the score down a bit.

One pet peeve: the iTunes LP version will feature “additional artwork” and two bonus remixes. I don’t think Massive Attack fans are ones who are excited by digital-only artwork, and I don’t intend to spend 15 euro on two additional remixes. Also if the only way to get it on vinyl will be a 60 euro box set with three vinyl LPs and a CD, I will have to pass — I love vinyl but not enough to change the sides every 10 minutes. (This was also why I never bought The 100th Window on vinyl.) I hope it isn’t too late for a rethink and a 2LP edition, unless those three LPs include remixes.

Generally, if you liked Blue Lines and nothing afterwards, you will hate this LP. If you liked Mezzanine and The 100th Window but were let down a bit by the amount of filler, you will love this LP. I am quite relieved by what I have heard, and “Girl I Love You”, “Pray For Rain” and “Psyche” are absolute Massive classics. Oh, and people who still insist on calling this music triphop need their ears checked — post-rock is the best description I’m afraid.

It’s all Google’s fault, or why can’t I embed Lily Allen videos

Thursday, January 21st, 2010

A band called OK Go explains the major mystery of the universe: WHY don’t labels want the videos to be embedded!!!

We?ve been flooded with complaints recently because our YouTube videos can’t be embedded on websites, and in certain countries can’t be seen at all. And we want you to know: we hear you, and we?re sorry. We wish there was something we could do. Believe us, we want you to pass our videos around more than you do, but, crazy as it may seem, it?s now far harder for bands to make videos accessible online than it was four years ago.

As you?ve no doubt noticed, sites like YouTube, MySpace, and Blahzayblahblah.cn run ads on copyrighted content. Back when Young MC’s second album (the one that didn’t have Bust A Move on it) could go Gold without a second thought, labels would?ve considered these sites primarily promotional partners like they did with MTV, but times have changed. The labels are hurting and they need every penny they can find, so they?ve demanded a piece of the action. They got all huffy a couple years ago and threatened all sorts of legal terror and eventually all four majors struck deals with YouTube which pay them tiny, tiny sums of money every time one of their videos gets played. Seems like a fair enough solution, right? YouTube gets to keep the content, and the labels get some income.

The catch: the software that pays out those tiny sums doesn?t pay if a video is embedded. This means our label doesn?t get their hard-won share of the pie if our video is played on your blog, so (surprise, surprise) they won?t let us be on your blog. And, voilá: four years after we posted our first homemade videos to YouTube and they spread across the globe faster than swine flu, making our bassist?s glasses recognizable to 70-year-olds in Wichita and 5-year-olds in Seoul and eventually turning a tidy little profit for EMI, we?re ? unbelievably ? stuck in the position of arguing with our own label about the merits of having our videos be easily shared. It?s like the world has gone backwards.

Ha. As for whether EMI make more money selling records or charging YouTube for non-embeddable videos — and whether the goal of being a record label is to extract money off YouTube or sell records — remains the sweet secret of EMI shareholders.

Other People’s Writing: Brokey McPoverty on Mary J. Blige and shiny happy people

Tuesday, January 19th, 2010

the point im takin so long to make is that 90s mary j blige was *awesome.* im talkin biggie smalls hook sangin, k-ci from jodeci lovin, bubble coat wearin, grand puba co-rhymin mary. like i mean, im glad that she?s happy. really. im just gettin tired of hearin about it. it?s what i call the india(dot)aire effect. india has an awesome voice (mary, not so much though, id argue), and the stuff she sang about on her first album was really, really important. and it wasnt less important on the second album.. it was just like an unneccessary exclamation point to the first. and by the third it was just fucking annoying. OKAY. WE GET IT. YOU?RE NOT YOUR HAIR AND YOU LOVE YOURSELF. STFU. i see mary travelling the saaaaaaaaaaaaame worn path.

now u may be askin urself, ?self, how come it doesnt get annoying when folk only sing about pain and trials and hardships?? because, man, that?s the stuff that makes *good* music. great pain breeds great art. ain?t that how the sayin goes? is that even a saying at all? if not, it is now, cite me when u use it. but really. more people know drama better than sublime, uninterrupted happiness, i think. plus happy people are just grating after awhile, no? i dunno. maybe its just me.

Thing is, I am also traveling that worn path, and what can I say, it makes me happy, and I guess that’s why this blog has maybe a third of the readership that followed my old blog that was all about self-deprecating dark stories from the dating hell. Maybe I should be glad I am not a professional songwriter after all!

By the way, I wrote a shit long diatribe about beauty, botox, steroids and Susan Boyle not being nominated for a Brit award, then I looked at it and realised it sums down to “I am old and those yoof of today don’t get shit”. Hmmm.

Other People’s Writing: Roisin Murphy

Tuesday, January 19th, 2010

“I no longer wish to argue with anyone about what should be the first, second, third single, all that shit it just doesn?t mean anything anymore. I want it to be? I?ve said in the past I love spending money, I love spending big money on making great imagery. And I do. It doesn?t have to cost a huge amount of money but it?s definitely going to cost some money, but it?s what all goes with that. It?s the arguing about if this is the right single or this is the right way for this or that. And there have been so many times that I?ve listened to people and its been wrong, and I just can?t do that anymore, I have to figure it out my own way. I?ve got a baby?I can?t be spending my time arguing with stupid people about things. That probably looks harsh in print but in real life I?m not being that harsh, I just need to figure it out. And in the meantime I?m not depriving fans of the music, I?m allowing the music to live out there. You know, it?s not even harsh: it?s just the way the industry has been, it?s changing and it?s changing at a massive pace and I?m trying to give myself the space to change within it without becoming the kind of artist where I have to get up in the morning and switch on a webcam. That bores me. It?s gotta be about the music. I can?t get up in Twitter, I just can?t do that. It?s got to be about the music, so I?m trying to figure space where it?s just about the music for a while and then I will take it to next level and do it right.”

Ray’s Chart | Issue 854/855 | 2010-01-03/10

Monday, January 18th, 2010
 1   2   4  ALL OVER THE WORLD (REMIX)
            Pet Shop Boys
 2   1   3  DECEMBER SONG
            George Michael
 3   3   5  WHO'D HAVE KNOWN
            Lily Allen



 4   !   1  WONDERFUL LIFE
            Hurts
 5   4   5  FOR YOUR ENTERTAINMENT
            Adam Lambert
 6   5  11  HEAVEN CAN WAIT
            Charlotte Gainsbourg feat. Beck
 7   !   1  DOUBT
            Delphic
 8   7   8  ABOUT A GIRL
            Sugababes
 9   6   3  I WISH
            Mini Viva
10   9   3  REVOLVER (DAVID GUETTA ONE LOVE REMIX)
            Madonna
 (more...)

Verging on Uncoolness

Thursday, January 7th, 2010

It wasn’t until I’ve been stopped on the street today by a boy 10 years younger than me who enthusiastically exclaimed “I LOVE your headphones!” that I realised how uncool I became.

I bought those headphones — by a certain not very well known brand I won’t mention — largely due to their cool value; I wanted to buy something that’s damn cool, vislble from a large distance, expensive… but mostly has warranty that covers the damn thing being driven over by a bus. I had replaced four pairs of headphones in the last six months because their injuries were not covered by warranty and to be honest that’s a bit enough. Plus, the bright green colour ensures that fellow cyclists will notice that I am listening to music and, hopefully, ring their bells louder or summat. So I had bought uber-cool expensive headphones because of safety and good warranty.

Those headphones fit absolutely nothing I was wearing, which consisted of black coat (cheap and warm and nice, C&A), blue jeans (big torn ones from H&M, and anyway with my legs you can’t wear fashionable stuff, because fashionable stuff assumes you’re anorexic) and black leather boots (warm, comfy and, erm, that’s about all that can be said about them). Underneath I was rocking a purple scarf, which was covered by the coat and thus invisible, black cardigan and black muscle t-shirt, which is kind of cool, but still doesn’t match those headphones.

A whole other thing is what I have been listening to. It wasn’t what I am listening to right now (i.e. Susan Boyle, whose album I will review here soon), but it wasn’t much better. It was Madonna’s “Open Your Heart”. Which I followed by Annie Lennox’ “Diva” in its entirety.

My coolness reached its peak when “We are technology” was played on the Polish radio repeatedly, Martina and me were doing interviews for MTV and I had a regular DJ slot at a club so cool waiters would ignore you for an hour before lowering themselves to notice your presence, even if you were the only person present apart from staff. I wore the perfectly right clothes, listened to perfectly right music (and played it during my DJ sets), and whatever I would choose to put on would be good, because I was cool. When I had long black hair it was cool, and when I shaved my head leaving a blonde mohawk it was also cool. Mind you, I was also 24.

Thing is, it wasn’t me adapting to become cool; it was simply a great timing that ensured that what I liked was fashionable. I kept on listening to — and playing electronic music from the 80s, it’s just that Felix da Housecat happened to hit a golden mine when he sampled “Passion” by The Flirts for his breakthrough hit “Silver Screen Shower Scene” and followed it by sampling Human League, who themselves attempted a comeback with criminally underrated “All I Ever Wanted”. And then that time has passed, and electro sound has gone back to the underground, and got replaced by indie guitar rock. I stopped DJing, Technologic’s second single didn’t get much love from the radio, and that was about it.

Ever since then I have been doing what everybody does — that includes you, dear reader, as much as that shocks you — aging. At the age of 32 certain routes are closed for me. I will never become a professional tennis player; I will never be Madonna’s dancer; I will never be a teenager again, basically, and I will never be a part of the Twenty-Something Bloggers club. I might still become a professional boxer, but I should hurry up.

Being cool is also about keeping up with the times; with the Current New Sounds, trends in clothes, movies, actors, books, social networking. There’s something called Twilight out there, which features emo twink Robert Pattinson who has been more often than not described as lacking personal hygiene; there’s Lady Gaga, who has an amazing image not supported by music I would like to listen to more than once — she sounds like a third rate Britney Spears, and if I want to listen to Britney, I have the original at hand; the jeans available in the stores are almost exclusively skinny, which is bad news if you happen to work out a lot and you’re not one of those funny people who only exercise their chest and biceps. Generally, I know what’s cool, but I don’t give a shit.

I am not cool anymore. I don’t have time for that. I don’t want to listen to Lady Gaga, Marina And The Diamonds, Florence And The Machine, Ellie Goulding or Owl City simply because they are a New Fresh Thing. I know what Chris Lowe has to say about “even if it’s bad, it’s good because it’s new” and I disagree; I prefer to listen to music that I already KNOW is good, rather than spend my valuable time on listening to stuff that I could possibly like… or not. When faced with a choice between Janet Jackson’s “Number Ones” or Lady Gaga’s “Fame Monster” I will choose Janet. I played Gaga once. She didn’t set my world on fire. I played the CD again, and it got on my nerves. There will be no third chance. I’m BUSY.

Why buy a new pair of jeans that won’t fit me if I can wear my old leather pants that do? Why subscribe to Facebook, Twitter, formspring.me and 40 other uber-fashionable social networking sites if I don’t have time to meet my friends — actual living breathing humans — for drinks? Why would I bother listening to Florence And The Machine’s album if singles bored me to tears? Why would I watch mega-stupid people on “Jersey Shore” if I still haven’t found time to watch “City of Angels”?

Yes I know — admitting that makes me uncool. But so what? I’m 32. I will never be cool again, unless I become a celebrity writer (you can be a cool celebrity writer at the age of 60) simply because I am ancient. Seeing what MTV has become (my gym often has MTV on) makes me mutter sentences containing the words “youth of today” and “when I was younger, MTV played music”. I have no interest in being cool ever again unless I get paid for it, and it would better be GOOD money.

Me, me, me!

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