Archive for March, 2010

Ray’s Chart | Issue 865 | 2010-03-28

Monday, March 29th, 2010
 1  15   2  NOTHING
            Janet Jackson
 2   1   6  OH, THE DIVORCES!
            Tracey Thorn
 3   2   2  HALCYON
            Delphic
 4   4   6  THE WAY LOVE GOES
            Lemar



 5   5   4  STYLO
            Gorillaz feat. Bobby Womack & Mos Def
 6   3   5  RUDE BOY
            Rihanna
 7   9   2  TWIST OF FATE
            Bad Lieutenant
 8   7   7  LIMELIGHT
            Alizee
 9   8   3  ON A MISSION
            Gabriella Cilmi
10   !   1  ACAPELLA
            Kelis
 (more...)

Eurovision 2011 will be in Iceland!

Friday, March 26th, 2010

Exhibit A:

Thank you, thank you, I’ll be here all week… (Except for the weekend, that is, and I wish you a great one.)

Janet Jackson: “Nothing” PR Campaign

Thursday, March 25th, 2010

Janet’s new single, “Nothing”, will have a VIDEO (which is great news). It is also a very, very lovely song which will be my #1 this coming Monday and which is totally classic Janet and which will appeal to nobody but The Core Fanbase. :(

But there is a simple way to increase the appeal of the single. Instead of using this cover:

…my Slightly Redesigned version needs to be used:

Here, I fixed that for you. No need to thank me…

Song of the Day: The Cardigans, “I Need Some Fine Wine And You, You Need To Be Nicer”

Tuesday, March 23rd, 2010

Long title, innit.

When The Cardigans began, they sounded like jolly The Cure doing covers of Saint Etienne. Even though their second single was already called “Sick & Tired”, the depth of the lyricism left quite something to desire. “Sick, tired and homeless with no one here to sing for” confessed Nina, and we thought: oh yeah, that is the biggest problem homeless people face — nobody to sing for.

Their golden age came with, first, an appearance of “Lovefool” in Baz Luhrmann’s Romeo & Juliet, then with “My Favourite Game” being featured in a Playstation game, with a violent car chase video getting played on MTV every 15 minutes. (To younger readers: yes, there was a time when MTV used to actually play music videos.) Then a duet with Tom Jones followed. And then they took four years off, and their career crawled and died.

“I Need Some Fine Wine” is their last top 75 entry in the UK, miserable #59 for the first (and only) UK release off their 2005 album Super Extra Gravity. There’s nothing jolly about it. It is a tale of a woman more experienced than she would like to be, despite the “pretty young girl” lyric; the man in the song is a dog, but the girl is a pitbull — she goes off any old thing, but he needs to be potty trained and, and to be nicer. She’s wasting her life, he’s saving the world, but it’s her who pulls the shots at the end, with the final “Sit.” uttered in contempt almost, contempt of a woman who doesn’t even turn her head, because she knows he’ll listen.

As a song, “I Need Some Fine Wine” blows out of the water anything The Cardigans did before or after (well, I’ll admit here not being fully aware of their album tracks…), and definitely improves on the early “jolly Cure with girl singer” premise. It is a shame it never managed to reach further than it did.

Ray’s Chart | Issue 864 | 2010-03-21

Monday, March 22nd, 2010
 1   1   5  OH, THE DIVORCES!
            Tracey Thorn



 2   !   1  HALCYON
            Delphic
 3   2   4  RUDE BOY
            Rihanna
 4   5   5  THE WAY LOVE GOES
            Lemar
 5   6   3  STYLO
            Gorillaz feat. Bobby Womack & Mos Def
 6   4   4  STARRY EYED
            Ellie Goulding
 7   3   6  LIMELIGHT
            Alizee
 8  10   2  ON A MISSION
            Gabriella Cilmi
 9   !   1  TWIST OF FATE
            Bad Lieutenant
10   7  10  THIS MUST BE IT
            Royksopp feat. Anneli Drecker
 (more...)

…in which I continue being ancient and complaining about it

Tuesday, March 16th, 2010

The Lady GaGa video (two more people feel about it the way I do!) is just one of the many inventive ways in which thirtysomethingness continues to be catching up with me.

I swear I haven’t planned to become one of those people who mutter sentences starting with “those yoof of today”. Who get irritated by loud music playing at fashion retailers. And then they get irritated by the fact that all t-shirts seem to have juvenile prints on them (really? there are girls who would go for a bloke wearing a t-shirt saying “FUCKING GENIUS” with 12 pictures of various positions underneath? or a t-shirt saying “I RECYCLE GIRLS”?). And then as they walk home they see two teenagers in very lowly pulled pants — starting below their buttocks more or less — and they roll their eyes and go “jesus, what in the Alexander McQueen HELL are they wearing”.

Nevertheless, that’s exactly what I have become.

I listen to the Music Of Today and roll my eyes thinking “this has been done before, and so much better as well”. I realise it’s irrelevant, because pop music has never been about originality, and that it has never been aimed at thirty-somethings, but I can’t help it: it HAS been done before, and it HAS been done better. Which is why I can’t possibly enjoy Lady GaGa the way most of her uber-loyal disciples do. And because I hate stupidity in lyrics, I can’t possibly chart Ke$ha. Or Black Eyed Peas.

Then I look at my vinyl collection. And that’s even before I look at my CD collection. After carefully removing all the CDs I will never play again from the shelves and sticking them in a box (because I can’t possibly make myself throw them away) I ended up with 700+ CDs. I paid very good money for a lot of them. Almost none of them are worth that money anymore. Yet an iTunes download of the same music sometimes costs more than the CDs with thick, nicely printed booklets. Physicality of the object, thus, became a con rather than pro, and I can’t help but think those yoof of today are voluntarily getting screwed. (Except of course they have the last laugh, because they don’t REALLY pay for downloads.) Which doesn’t change the fact that it is me who has invested shitloads of money into CDs which right now aren’t really that much more than a waste of space.

The current H&M collection features jeans shirts, jeans jackets and jeans tops, last seen in the 1980s. I don’t only remember 1980s, I also remember the shame with which we laughed at the pictures only a few years later. What would make that stuff fashionable again? Oh yes — the yoof of today, who don’t yet realise the embarrassment they will feel next year when looking at the pictures they take today.

Movies made today? A very large part of them is either visual extravaganza without a plot whatsoever or badly acted remakes of movies made 30 years ago whose only fault is the fact that it’s impossible to add product placement to them. The remaining few are, perhaps, good — but the time it takes to separate the dross from the amazing? Who has that time in the age of information when you need to get a live feed of your neighbour’s cat’s bowl contents?

Those yoof of today get served shit on a golden platter. And they, ultimately, are the winners, because both them and me are force-fed the same excuse for entertainment, but I am a bitter old queen mumbling about “the Old Days used to be so much better you know” while they actually enjoy themselves.

Ray’s Chart | Issue 863 | 2010-03-14

Monday, March 15th, 2010
 1   2   4  OH, THE DIVORCES!
            Tracey Thorn
 2   1   3  RUDE BOY
            Rihanna
 3   3   5  LIMELIGHT
            Alizee
 4   4   3  STARRY EYED
            Ellie Goulding
 5  10   4  THE WAY LOVE GOES
            Lemar
 6  11   2  STYLO
            Gorillaz feat. Bobby Womack & Mos Def
 7   6   9  THIS MUST BE IT
            Royksopp feat. Anneli Drecker
 8   7   9  CRUEL INTENTIONS
            Simian Mobile Disco feat. Beth Ditto
 9   8   6  MEMORIES
            David Guetta feat. Kid Cudi



10   !   1  ON A MISSION
            Gabriella Cilmi
 (more...)

Lady GaGa premiers “Telephone”, world faints in excitement

Friday, March 12th, 2010

I have just spent 9 minutes and 30 seconds of my life watching Lady GaGa’s “Telephone” video. See it below.

I have then gone to Popjustice forums to see what the people were thinking, and predictably enough I saw fans tripping over themselves to express their excitement. Amazing! Great! Ambitious! Nudity! Fabulousness! “The most amazing video I have ever seen!”

It does make me both feel and sound old, but… it isn’t. Nudity? Why not check out Mylene Farmer’s “Beyond My Control”, made in 1991. Violence and fast cars? Madonna’s “What It Feels Like For A Girl”. Colours and sixties styling? “Beautiful Stranger”. Dance scenes in prison? “Chicago” the musical did those waaaay better. Lesbian overtones? Very exciting to see, but really, L Word did those in a way less offensive way. (Not offensive as in “two girls kiss SHOCKER”, offensive as in male-fantasy-about-lesbians way.)

I made the mistake of posting my opinion and, unsurprisingly, got flamed for that. I guess I shouldn’t be surprised, but really? This passes for groundbreaking, amazing and incredible these days?

I feel ancient.

Ray’s Chart | Issue 862 | 2010-03-07

Thursday, March 11th, 2010
 1   1   2  RUDE BOY
            Rihanna
 2   3   3  OH, THE DIVORCES!
            Tracey Thorn
 3   2   4  LIMELIGHT
            Alizee
 4   8   2  STARRY EYED
            Ellie Goulding
 5   5   5  TELEPHONE
            Lady Gaga feat. Beyonce
 6   4   8  THIS MUST BE IT
            Royksopp feat. Anneli Drecker
 7   7   8  CRUEL INTENTIONS
            Simian Mobile Disco feat. Beth Ditto
 8   9   5  MEMORIES
            David Guetta feat. Kid Cudi
 9   6   7  ROCKET
            Goldfrapp



10  10   3  THE WAY LOVE GOES
            Lemar
 (more...)

Song of the Day: Younger Younger 28s, “The Next Big Thing”

Thursday, March 11th, 2010

I’ve spent a large part of last week listening to Younger Younger 28s only album, “Soap”. (Find a DrownedInSound review here.) It was meant to catapult them into the heights of megastardom (as described in most of their songs ? “Soap” is a concept album with 11 songs about people wanting to make it big and a Cure cover). It didn’t, probably largely due to the lyrics which were just a bit too condescending for their own good ? and while one or two are acceptable, eleven of them is a bit too much.

That didn’t stop the songs from being insanely catchy, as the above clip proves. “Sugar Sweet Dreams”, “Next Big Thing”, “Julie”, “We’re Going Out” and “Teenage Mum” were megahits in an alternative universe, the very same one where Dubstar never split, Saint Etienne topped the sales charts routinely, Pet Shop Boys never recorded “Release” and Kylie’s Deconstruction albums were her best selling ones. I love that universe. I live in it. And for that reason I never really stopped loving “Soap” since its release in 1999; those songs are the catchiest gems of synthpop ever recorded to feature lyrics such as “a dead-end job on a government scheme/yes she’s the factory queen”. And “Teenage Mum” is so amazingly cynical in its Girl Power deconstruction ? “She’s a girl that can’t keep her legs shut/Yeah I am a fully liberated woman!” “The boys, they watch her shake her butt/That’s right, I use my sex as a weapon!” while sounding like a grrrreat Saint Etienne single ? that it alone is worth the price of the CD, which ? assuming you can find it ? tends to oscillate around 99p.

Younger Younger 28s nearly made it, to use their own metaphor; they released the CD on V2 label, it bombed spectacularly, then two of them formed a wedding band called One Hit Wonders (playing songs by one hit wonders if you didn’t guess). Jimmy Dickinson is now a music teacher in Scarborough. Internet reviews of their stuff are either 10/10 or 1/10 with hardly anything in between. And me? I wish they recorded a second album, which in my alternate universe they might still do, and in the meantime I am sticking to “Soap”.

Me, me, me!

Gay, modified,
very well designed...
EXCITEMENT
GALORE!!1!